Comment below and tell us what your experiences have been with the companies on our list. Every artist is now vetted and they are only ‘signing’ artists they believe in. Checkout our review on Distrokid vs CD Baby vs Tunecore vs Awal vs Ditto to see which one is best for you! Was this good or bad? They now don’t offer a standard terms and conditions like the majority of the other distributors on this comparison, but negotiate every deal separately. Their list of distribution channels however does not match the reach of some of their bigger competitors. Horus Music is very tempting due to their feature set and the fact that they recently switched over to an annual fee with no commission certainly strengthens their case. They want to keep their reputation high with the DSPs. So, TuneCore has been around almost as long as CD Baby. One of RouteNote’s strongest suits is its flexibility – you don’t have to stay locked into one specific plan. It’s not just about ‘where am I going to tour.’ Sure, that’s a factor. No personality or life. Some of these companies are closer than others to this reality, but no one is completely there yet. Symphonic is actively courting buzzing indie artists, big time managers and indie labels. Festival, label, playlist, radio and audition submission opportunities, Great place to connect with other artists and learn from their successes. So there’s that. I suppose that with CD Baby, as you pay per album distributed, it probably wouldn't make a difference (please correct me if I'm wrong on this). Literally in the past 4 months from when we started the update to when we posted it, SoundCloud got out of distribution and migrated everything over to. I’ll say it. Although very innovative, it will be interesting to see the moves and partnerships this company makes in the future. Photo by Adi Goldstein on Unsplash What is the problem and why is it important? Stem has the best payment splitting infrastructure built right into their reports. By far. This is certainly something that a lot of artists could benefit from. Joel assured me that they are working on this. I had received more complaints about CD Baby’s customer support in the past 7 months than I had in the past 7 years. Do you want to sign to UMG? However 20% can start to add up in no time when that $0 starts to climb in value. They prioritize only your most important needs as an independent artist. Now, DistroKid will say it’s the DSP’s style format and that. These companies are just providing services. One feature that they do offer are intelligent landing pages that help you to route your fans to their favourite music platform when your releases become available. So, this is the only other company that does not take a commission OR a fee (like Amuse). Or are they running to Spotify and iTunes? To me, this is a lot of risk but also something that could draw a lot of artists to the platform. You will also need to be okay with Soundrop’s very narrow line of distribution channels. This is where being aware of your current situation is very important. Music Business Worldwide wrote that Nick was “pivotal to the company’s client and technology growth that led to its acquisition by Sony Music.” He maintains an independent ethos and has a deep understanding of the services indie artists need to compete in a big way. While there are no extra annual fees, you are looking at $40USD just to release a single and all the way up to $85USD for an album. I have spoken at CD Baby’s DIY Musician conference and during AWAL’s sponsored sessions at Amplify in London. And I’m going to get shit for it. It’s worth noting that they do have some pretty huge artists, namely. A task that would be a huge challenge for most independent artists trying to approach the likes of Spotify or Apple directly. If you are very budget conscious you will struggle to take advantage of some of MondoTunes additional features. Helping Artists Navigate The Music Industry . Depending on the amount of releases you have this can certainly add up. But time will tell if they’re able to catch back up and offer the same level of customer support they were once famous for. The founder/CEO Steven Finch is originally from Australia and moved to London to run a recording studio. Being an artist myself I have been in your shoes. Spinnup is a distributor that was started in Sweden and now has offices in London, Germany and France. AWAL is a digital distributor collecting master (sound recording) royalties for artists. And to offer not just distribution, but ‘label services’ for their top-line artists. While this is a great move, SoundCloud may still struggle to compete with the likes of Spotify who is gearing up to do something very similar with Distorkid, a music distributor on our list. Amuse is very unique for one specific reason which is that fact that they operate on an app and do not offer there services via desktop. So this is structured like that. They have no built-in service to get licenses to release cover songs. + No commission + You can upload as many songs … You have to look at your own, personal situation and own, personal career to figure out what is best for you. Digital Service Provider, which is the generic term for streaming and download platforms like Spotify, Apple Music, Deezer, Google Play, Amazon Music, et al. If Spotify Won’t Pay More, They Should Give Us More Data, Session Musicians’ Money Stolen by the Union Meant to Protect Them. How do I license a song? Founded in 2013, Distrokid sends music to over 150 stores … Similar to Stem and Amuse, I’m slightly wary of any investor-funded company because if they lose their investor(s) the company goes under. TuneCore’s analytics and sales reports are some of the best in the biz. It should also be noted that CD Baby is listed by Spotify as one of their preferred distributors. ONErpm has never taken investment money. Although Distrokid charges a extra fee for theirs, what is the difference between the two Youtube options ? Songtradr started as a sync licensing service. I do have to give a shoutout for their revenue advances feature which IS super innovative – where if your past releases have generated consistent revenue, TuneCore will advance you the money for future releases so you can have more of a budget up front for production and marketing. It’s hard to justify $50/album/year when DistroKid charges $20/unlimited songs/year and offers payment splitting. And the company has now grown to nearly 300 employees in offices all over world including Argentina, Columbia, Mexico, Spain, Russia, Peru, Nigeria, Nashville, Atlanta, Miami, San Francisco, NYC, and 4 offices in Brazil. To clarify, Kobalt is a publishing company collecting publishing (songwriter) royalties for songwriters. And sources tell me that the TuneCore offices feel the same. Not many distribution companies out there are as good as Stem when it comes to splitting up revenue between multiple collaborators. Songtrust is not a distributor. Good genre assignment helps artists and connect to new audiences easily and keeps listeners happy (no accidental Christmas songs on your punk rock playlist). And I explain how to do that, This review is just taking a look at companies that will get your music into digital stores and streaming services, like Spotify, Apple Music, Tidal, Amazon, Pandora, Deezer, etc and NOT about stand alone, digital download, self-managed stores, like. A music distributor will help you get onto these exact same platforms as well. They’re successful because they are able to distribute their product line to the masses in an efficient and effective manor. They have a lot to offer but their achilles heel is the fact that a lot of their offering relies on the average music listener coming to Reverbnation to enjoy your music. For only $4.99 a month you can upload unlimited music to 200+ … With that said, TuneCore excels in a number of key areas sporting features like publishing administration and arguably the best analytic reports in the industry. Soundrop isn’t meant to compete with the other services (like their sister CD Baby). I like that they are a community driven company and have programs where they work with disadvantaged kids, giving them studio time, teaming them up with mentors and helping them get their music distributed. You have to pick one for each release. Distribution in the music world hinges on a few things depending on where you’re at in your career. One very unique feature to Ditto Music, helps those interested in starting a label. They have the ability (and the money) to help artists pop. That’s why I added it to the comparison chart. For example, they do not offer any way to monetize your music if someone uploads it to YouTube or SoundCloud. Taking into consideration all that Horus Music has to offer, one must admit that they are a solid platform. Even if you don’t do an extensive amount of collaboration, Stem is still a great choice because they are very inexpensive and their focus is very artist-friendly. Everything from playlist pitching, marketing, PR, YouTube MCN, and so forth. Genre classification is import a nt for music distribution platforms (CD Baby, Distrokid, and Songtradr are some you may be familiar with). Think about where you go to consume music from your favourite artists. Now, I know this is not typical. In the most recent update of this article (10/15/2020), I revealed that CD Baby’s analytics and payment reports were inaccurate. Releasing music online straight distribution to get it fixed rough for CD Baby every... 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